The Susan Glaspell Society

Secondary Critical Sources

1975-present

(For an annotated bibliography of reviews of Glaspell’s plays from 1916 to 1992 and for citations prior to 1975, see Mary E. Papke, Susan Glaspell: A Research and Production Sourcebook, Greenwood Press, 1993.)

Aarons, Victoria. "A Community of Women: Surviving Marriage in the Wilderness." In Portraits of a Marriage in Literature. Ed. Anne C. Hargrove and Maurine Magliocco. Macomb, IL: Western Illinois University, 1984. 141-49. Also in Rendezvous: Idaho State University Journal of Arts and Letters 21.2 (Spring 1986): 3-11.

Abramson, Doris, Maria Irene Fornes, Carolee Schneemann, Florence Falk, Bonnie Marranca, and Rosette C. Lamont. "Women in the Theatre." Centerpoint: A Journal of Interdisciplinary Studies 3.3/4 [Issue 11] (Fall/Spring 1980): 31-7.

Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama. West Lafayette, IN: Purdue University Press, 1987.

Alkalay-Gut, Karen. "'A Jury of Her Peers': The Importance of Trifles." Studies in Short Fiction 21.1 (Winter 1984): 1-9.

Alkalay-Gut, Karen. "Murder and Marriage: Another Look at Trifles." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 71-81.

Anderlini-D’Onofrio, Serena. "Is Feminist Realism Possible? A Theory of Labial Eros and Mimesis." Journal of Gender Studies 8.2 (July 1999): 159-180.

Andrews, Clarence A., and Marcia Noe. "Susan Glaspell of Davenport." The Iowan 25.4 (Summer 1977): 46-53.

Angel, Marina. "Criminal Law and Women: Giving the Abused Woman Who Kills ‘A Jury of Her Peers’ Who Appreciate ‘Trifles.’" American Criminal Law Review 33 (1996): 229 and following.     

Angel, Marina. "Susan Glaspell's Trifles and 'A Jury of Her Peers':  Woman Abuse in a Literary and Legal Context." Buffalo Law Review 46.2 (Spring 1998): 779+.

Angel, Marina.  "Teaching Susan Glaspell's 'A Jury of Her Peers' and Trifles." Journal of Legal Education 53.4 (December 2003): 548-563.

Aston, E.  Review of Susan Glaspell’s The Verge.  Theatre Journal 49.2 (May 1997): 229-231.

Atlas, Marilyn Judith. "Creating Women's Myth: Emily Dickson's Legacy to Susan Glaspell." Focus: Teaching English Language Arts 8.1 (Fall1981): 55-61.

Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press, 1990.

Bach, Gerhard, and Claudia Harris. Review of "Susan Glaspell -- Rediscovering an American Playwright." Conference and Theatre Performance. Sponsored by Brigham Young University English Department and Theatre/Film Department, Provo, Utah. 16 March 1991. Theatre Journal 44.1 (March 1992): 94-6.

Bach, Gerhard. "Susan Glaspell (1876-1948): A Bibliography of Dramatic Criticism." The Great Lakes Review: A Journal of Midwestern Culture 3.2 (Winter 1977): 1-34

Bach, Gerhard. "Susan Glaspell: Mapping the Domains of Critical Revision." IN Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor, MI: U of Michigan P, 1995. 239-58.

Bach, Gerhard. "Susan Glaspell--Provincetown Playwright." The Great Lakes Review: A Journal of Midwest Culture 4.2 (1978): 31-43.

Bach, Gerhard. "Susan Glaspell Revisited: A Workshop Report." Society for the Study of Midwestern Literature Newsletter 6.1 (Spring 1976): 2-4.

Bach, Gerhard. Susan Glaspell und die Provincetown Players: Die Aufange des modernen amerikanischen Dramas und Theaters. Frankfurt am Main: Peter Lang, 1979.

Banham, Martin, ed. The Cambridge Guide to World Theatre. Cambridge: Cambridge University Press, 1988.

Barber, Rytch. "American Expressionism and the New Woman: Glaspell, Treadwell, Bonner, and a Dramaturgy of Social Conscience." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 93-114.

Barlow, Judith E. Introduction. Plays by American Women: 1900-1930. New York: Applause Theatre Book Publishers, 1985. ix-xxxiii.

Barlow, Judith E. Introduction. Plays By American Women: The Early Years. New York: Avon, 1981. Ix-xxxii.

Barlow, Judith E. "Susan's Sisters: The 'Other' Women Writers of the Provincetown Players." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 259-300.

Bendel-Simso, Mary M. "Twelve Good Men or Two Good Women: Concepts of Law and Justice in Susan Glaspell’s ‘A Jury of Her Peers.’" Studies in Short Fiction 36.3 (Summer 1999): 291-297.

Ben-Zvi, Linda. "Glaspell, Susan." In Notable Women in American Theatre: A Biographical Dictionary. Ed. Alice M. Robinson, Vera Moury Roberts, And Milly S. Barranger. Westport: Greenwood Press, 1989. 341-46.

Ben-Zvi, Linda. "'Murder, She Wrote': The Genesis of Susan Glaspell’s Trifles." Theatre Journal 44.2 (May 1992): 141-62. Also in Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 19-48.

Ben-Zvi, Linda. "O'Neill's Cape(d) Compatriot." The Eugene O’Neill Review 19: 1-2 (Spring-Fall 1995): 129-38.

Ben-Zvi, Linda. "The Political as Personal in the Writing of Susan Glaspell." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 275-294.

Ben-Zvi, Linda. Review of Plays by Susan Glaspell, edited by C. W. E. Bigsby. Resources for American Literary Study 17.1 (Spring 1990): 122-26.

Ben-Zvi, Linda, ed. The Road to the Temple, A Biography of George Cram Cook by Susan Glaspell. Jefferson, NC, and London: McFarland & Company, Inc., 2005.

Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill." The Eugene O'Neill Newsletter 6.2 (Summer-Fall 1982): 21-29.

Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill: The Imagery of Gender." The Eugene O'Neill Newsletter 10.1 (Spring 1986): 22-27.

Ben-Zvi, Linda. "Susan Glaspell's Contributions to Contemporary Women Playwrights." In Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. New York: Oxford University Press, 1989. 147-66.

Ben-Zvi,-Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: U of Michigan P, 1995.

Ben-Zvi, Linda. Susan Glaspell: Her Life and Times. New York: Oxford University Press, 2005.

Bickford, Donna M., and Nedra Reynolds. "Activism and Service-Learning: Reframing Volunteerism As Acts of Dissent." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 2.2 (Spring 2002): 229-252.

Bigsby, C. W. E. "The Language of Crisis in British Theatre: The Drama of Cultural Pathology." In Contemporary English Drama. Edited by C. W. E. Bigsby. New York: Holmes & Meier Publishers, Inc., 1981. 11-51.

Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Volume I: 1900-1940. Cambridge: Cambridge University Press, 1982.

Bigsby, C. W. E. Introduction. Plays by Susan Glaspell: Trifles, The Outside, The Verge, Inheritors. Edited by C. W. E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. 1-31.

Black, Cheryl.  "'Making Queer New Things:' Queer Identities in the Life and Dramaturgy of Susan Glaspell," Journal of Dramatic Theory and Criticism 20. 1 (Fall 2005): 49-64.

Black, Cheryl and Robert K. Sarlós. "On the Threshold of Sexual Politics in American Theatre and Drama: The Provincetown Players." In Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo and Miriam López-Rodriguez, Bruxelles, Bern, Berlin, Frankfurt/M, New York, Oxford, Wien: P.I.E.-Peter Lang, 2002. 133-147.

Black, Cheryl.  The Women of the Provincetown, 1915-1922. Tuscaloosa, AL: U of Alabama P, 2002.

Bohde, Cheryl D. "Susan Keating Glaspell (1876-1948)." IN American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook. Ed. Laurie Champion. Westport, CT: Greenwood, 2000. 133-41.

Bonin, Jane F. Major Themes in Prize-Winning American Drama. Preface by Paul T. Nolan. Metuchen, NJ: The Scarecrow Press, Inc., 1975.

"Book Reviews/Chroniques Bibliographiques." Canadian Journal of Women & the Law 17
(2005): 233-270.

Bordman, Gerald. The Oxford Companion to American Theatre. New York: Oxfrod University Press, 1984.

Bottoms, Stephen J. "Building on the Abyss: Susan Glaspell's The Verge in Production." Theatre Topics (ThTop). 8.2 (1998): 127-47.

Bryan, Patricia.  "Stories in Fiction and in Fact: Susan Glaspell's A Jury of Her Peers and the 1901 Murder Trial of Margaret Hossack." Stanford Law Review. 49 (1997): 1293.

Bryan, Patricia.  "Foreshadowing 'A Jury of Her Peers': Susan Glaspell's 'The Plea" and the Case of John Wesley Elkins."  In Susan Glaspell: New Directions in Critical Inquiry.  Ed. Martha C. Carpentier.  Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 45-65.

Bryan, Patricia and Thomas Wolf. Midnight Assassin: A Murder in America's Heartland. Chapel Hill, NC: Algonquin Books, 2005.

Burke, Sally. American Feminist Playwrights: A Critical History. New York: Twayne, 1996.

Burnham, John C. "The New Psychology." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 117-27.

Cadden, Michael. "Rewriting Literary History." American Quarterly 41.1 (March 1989: 133-37; written in response to Susan Harris Smith's "Generic Hegemony: American Drama and the Canon," 112-22; other responses include C. W. E. Bigsby's "A View from East Anglia," 128-32, as well as Susan Harris Smith's response to the responses, 138-40.

Carpentier, Martha C. "Apollonian Form and Dionysian Excess in Susan Glaspell's Drama and Fiction." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 35-50.

Carpentier, Martha C. "Brook Evans." The Literary Encyclopedia. 1 Oct. 2006. The Literary Dictionary Company Ltd. 5 December 2006. <http://www.litencyc.com/php/sworks.php?rec=true&UID=16006>

Carpentier, Martha C. "The Deracinated Self: Immigrants, Orphans, and the ‘Migratory Consciousness’ of Willa Cather and Susan Glaspell." Studies in American Fiction Vol. 35 No. 2 (Autumn 2007): 131-158.

Carpentier, Martha C. and Barbara Ozieblo, eds. and introduction. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. 37 DQR Studies in Literature. Amsterdam and New York: Rodopi, 2006.

Carpentier, Martha C. "Fidelity." The Literary Encyclopedia. 22 Jan. 2008. The Literary Dictionary Company Ltd. 22 January 2008. http://www.litencyc.com/php/sworks.php?rec=true&UID=15991

Carpentier, Martha C. "Fugitive's Return." The Literary Encyclopedia. 26 Oct. 2006. The Literary Dictionary Company Ltd. 5 December 2006. <http://www.litencyc.com/php/sworks.php?rec=true&UID=16007>

Carpentier, Martha C. The Major Novels of Susan Glaspell. Gainesville, FL: UP of Florida, 2001.

Carpentier, Martha C. "Susan Glaspell." The Thomson Anthology of American Literature, Vol. 4: Modern Period (1910-1945).  Ed. Martha J. Cutter.  New York: Thomson Press, 2007.

Carpentier, Martha C. "Susan Glaspell's Fiction: Fidelity as American Romance." Twentieth Century Literature: A Scholarly and Critical Journal (TCL). 40.1 (1994): 92-113.

Carpentier, Martha C., ed. and introduction. Susan Glaspell: New Directions in Critical Inquiry. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006.

Cassady, Marshall, ed. An Introduction to Modern One-Act Plays. Lincolnwood, IL: National Textbook Company, 1991.

Chansky, D. Review of Susan Glaspell in Context: American Theater, Culture, and    Politics, 1915-1948. Theatre Survey 44.1 (May 2003): 115-117.

Chien, Ying-ying. "From Utopian to Dystopian World: Two Faces of Feminism in Contemporary Taiwanese Women’s Fiction." World Literature Today 68.1 (Winter 1994): 35+.

Chinoy, Helen Krich. "Art Versus Business: The Role of Women in American Theatre." The Drama Review 24.2 (1980): 3-10.

Chinoy, Helen Krich. "Art Versus Business: The Role of Women in American Theatre." Introduction to Women in American Theatre: Careers, Images, Movements: An Illustrated Anthology and Sourcebook. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published as Women in American Theatre. New York: Theatre Communications Group, Inc., 1987.1-9.

Chinoy, Helen Krich. "Suppressed Desires: Women in the Theater." In Women, the Arts, and the 1920s in Paris and New York. Edited by Kenneth W. Wheeler and Virginia Lee Lussier. New Brunswick: Transaction Books, 1982. 126-32. 

Chung, Kathy K.Y. "'A Different Kind of the Same Thing': Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood  Relations." Theatre Research in Canada/Recherches Theatrales au Canada (TRIC). 20.2 (1999, Fall): 159-80

Clausson, Nils. "The Case of the Purloined Genre: Breaking the Codes in Susan Glaspell's 'A Jury of Her Peers'." Genre: Forms of Discourse and Culture (Genre). 34.1-2 (2001): 81-100. 

Cohn, Ruby. "Twentieth-Century Drama." In "Part Five: 1945 to the Present," edited by Marjorie Perloff, of the Columbia Literary History of the United States, edited by Emory Elliott. New York: Columbia University Press, 1988. 1101-25.

Commire, Anne, ed; Adele Sarkissian and Agnes Garrett, assoc. eds. "Glaspell, Susan 1882-1948." In Yesterday's Authors of Books for Children: Facts and Pictures about Authors and Illustrators of Books for Young People, from Early Times to 1960. Detroit: Gale Research Company, 1978. Volume 2: 125-28.

Cotsell, Michael. The Theater of Trauma: American Modernist Drama and the Psychological Struggle for the American Mind, 1900-1930. New York: Peter Lang, 2005.

Coven, Brenda. American Women Dramatists of the Twentieth Century: A Bibliography. Metuchen, NJ: The Scarecrow Press, Inc., 1982.

Czerepinski, Jackie. "Beyond The Verge: Absent Heroines in the Plays of Susan Glaspell." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 145-54.

DeBoer-Langworthy, Carol (ed.). The Modern World of Neith Boyce: Autobiography and Diaries. Albuquerque: University of new Mexico Press, 2003.

Dickey, Jerry and J. Ellen Gainor.  "Susan Glaspell and Sophie Treadwell: Staging Feminism and Modernism, 1915-1941." In A Companion to Twentieth-CenturyAmerican Drama. Ed. David Krasner. Oxford: Blackwell, 2005. 34-52.

Dukore, Bernard F. American Dramatists, 1918-1945. New York: Grove Press, 1984.

Duneer, Anita. "On the verge of a breakthrough: projections of escape from the attic and the thwarted tower in Charlotte Perkins Gilman's 'TheYellow Wallpaper' and Susan Glaspell's The Verge," JADT Volume 18 no 1, Winter 2006, 34-54.

Dymkowski, Christine. "On the Edge: The Plays of Susan Glaspell." Modern Drama 31.1 (March 1988): 91-105.

Dymkowski, Christine.  Review of Susan Glaspell:  Essays on Her Theater and Fiction. Theatre Journal 49.3 (October 1997): 389-390.

Eisenhauer, Drew. "She and She: Rachel Crothers and Susan Glaspell's Turn to Playwriting." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 115-136.

Fairbanks, Carol. Prairie Women: Images in American and Canadian Fiction. New Haven: Yale University Press, 1986.

Fernandez-Morales, Marta. "The Two Spheres in Susan Glaspell's Trifles and The Verge." IN Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo & Miriam Lopez-Rodriguez. Brussels, Belgium: Presses Interuniversitaires Europeennes (P.I.E.)-Peter Lang, 2002. 163-76.

Fetterley, Judith. "Reading about Reading: 'A Jury of Her Peers,' 'The Murders in the Rue Morgue,' and 'The Yellow Wallpaper.'" In Gender and Reading: Essays on Readers, Texts, and Contexts. Edited by Elizabeth A. Flynn and Patrocinio P. Schweickart. Baltimore: Johns Hopkins University Press, 1986. 147-64.

Flavin, Louise. "'A Jury of Her Peers' Needs a Jury of Its Peers." Teaching English in the Two-Year College 10.3 (Spring 1984): 259-60.

Fletcher, Caroline Violet. "'Rules of the Institution': Susan Glaspell and Sisterhood." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 239-256.

Frank, Steven. "On 'The Verge' of a New Form: The Cabinet of Dr. Caligari and Susan Glaspell's Experiments in The Verge." In Experimenters, Rebels, and Disparate Voices: The Theatre of the 1920s Celebrates American Diversity. Ed. Arthur Gewirtz and James J. Kolb. Westport, CT: Praeger, 2003. 119-29.

France, Rachel, ed. A Century of Plays by American Women. New York: Richard Rosen Press, Inc., 1979.

France, Rachel. "Apropos of Women and the Folk Play." In Women in American Theatre. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 145-52.

France, Rachel. "Susan Glaspell (1 July 1882-27 July 1948)."In Twentieth-Century American Dramatists. Edited by John MacNicholas. Volume 7 of Dictionary of Literary Biography. Detroit: Gale Research Company, 1981. Part 1, 215-23.

Friedman, Sharon. "Bernice's Strange Deceit: The Avenging Angel in the House." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 155-63.

Friedman, Sharon. "Feminism as Theme in Twentieth-Century American Women's Drama." American Studies 25. 1 (Spring 1984): 69-89.

Gailey, Joan D., and Virginia Schaff Carroll. "Toward a Collaborative Model for Interdisciplinary Teaching: Business and Literature." Journal of Education for Business 69.1 (September/ October 1993): 36-40.

Gainor, J. Ellen. "Chains of Dew and the Drama of Birth Control." IN Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 165-93.

Gainor, J. Ellen. "A Stage of Her Own: Susan Glaspell's The Verge and Women's Dramaturgy." The Journal of American Drama and Theatre 1 (Spring 1989): 79-99.

Gainor, J. Ellen. Susan Glaspell in Context: American Theater, Culture, and Politics 1915-48. Ann Arbor: U of Michigan P, 2001.

Gainor, J. Ellen.  "Woman's Honor and the Critique of Slander Per Se."  In Susan Glaspell: New Directions in Critical Inquiry.  Ed. Martha C. Carpentier.  Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 66-79.

Galbus, Julia. “Susan Glaspell's The Verge: A Socratic Quest to Reinvent Form and Escape Plato's Cave." Journal of Dramatic Theory and Criticism. 15.1 (2000): 81-95.

Gardiner, Karen H. "Reaching for 'Out There': Susan Glaspell's Rhetoric of the Female Artist." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 183-200.

Gilbert, Sandra M., and Susan Gubar. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Volume I: The War of the Words. New Haven: Yale University, 1988.

"Glaspell, Susan Keating." In The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Edited by Virginia Blain, Patricia Clements, and Isobel Grundy. London: B. T. Batsford Ltd., 1990. 431-32.

Goldman, Arnold. "The Culture of the Provincetown Players." Journal of American Studies 12.3 (1978): 291-310.   

Goldman, Michael. Reviews of Plays by Susan Glaspell, edited by C. W. E. Bigsby. Times Literary Supplement 5-11 February 1988: 139.

Grose, Janet L. "Susan Glaspell's Trifles and 'A Jury of Her Peers': Feminine Reading and Communication." Tennessee Philological Bulletin: Proceedings of the Annual Meeting of the Tennessee Philological Association (TPB). 36 (1999): 37-48.

Gubar, Susan, and Anne Hedin. "'A Jury of Her Peers': Teaching and Learning in the Indiana Women's Prison." College English 43.8 (December 1981): 779-89.

Gutman, Huck, ed.  As Others Read Us: International Perspectives on American Literature.  Amherst:  University of Massachusetts, 1992.

Hallgren, Sherri. "'The Law Is the Law and a Bad Stove Is a Bad Stove': Subversive Justice and Layers of Collusion in A Jury of Her Peers." In Violence, Silence, and Anger: Women's Writing as Transgression. Ed. Deirdre Lashgari. Charlottesville: UP of Virginia, 1995. 203-18.

Harris, Gail. "Open Your Eyes and See—Dorothy Wordsworth:  Selections from the  Journals by Dorothy Wordsworth/The Crazy Hunter by Kay Boyle/Lifted Masks and Other Works by Susan Glaspell/Change the Name by Anna Kavan/Walking Naked by Nina Bawden."  Belles Lettres 9.3 (Spring 1994): 65.

Hebel, Udo J. "'Superior in Unity and Economy?': Produktivitat, Komplexitat und Konventionalitat einer gattungsuberschreitenden Wirkungsstruktur amerikanischer Einakter seit Eugene O’Neill und Susan Glaspell." In Kurzformen des Dramas: Gattungspoetische, epochenspezifische und funktionale Horizonte. Ed. Winfried Herget and Brigitte Schultze. Tubingen, Germany:  Francke, 1996.

Hedges, Elaine. "Small Things Reconsidered: Susan Glaspell's 'A Jury of Her Peers.'" Women's Studies 12.1 (February 1986): 89-110.  Also in Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 49-69.

Hekman, Susan. "Backgrounds and Riverbeds: Feminist Reflections." Feminist Studies 25.2 (Summer 1999): 427+.

Helle, Anita Plath. "Re-Presenting Women Writers Onstage: A Retrospective to the Present." In Making a Spectacle: Feminist Essays on Contemporary Women's Theatre. Ed. Lynda Hart. Ann Arbor: University of Michigan Press, 1989. 195-208.

Heller, Adele. "The New Theatre." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Eds. Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 217-32.

Hinz-Bode, Kristina. "Social Rebels? Male Characters in Susan Glaspell's Writing." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 201-222.

Hinz-Bode, Kristina. Susan Glaspell and the Anxiety of Expression: Language and Isolation in the Plays. Jefferson, NC: McFarland & Company, 2006.

Hinz-Bode, Kristina.  "Susan Glaspell and the Epistemological Crisis of Modernity: Truth, Knowledge, and Art in Selected Novels."  In Susan Glaspell: New Directions in Critical Inquiry.  Ed. Martha C. Carpentier.  Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 89-108.

Holstein, Suzy Clarkson. "Silent Justice in a Different Key: Glaspell's Trifles." Midwest-Quarterly: A Journal of Contemporary Thought (MQ). 44.3 (2003 Spring): 282-90.

Itaba, Junko. "Women’s Roles in Detective Fiction: Glaspell’s Unique Approach."    Spectrum: Writing at Wittenberg 8 (1993): 53-58.

Jenkins, Linda Walsh. "Locating the Language of Gender Experience." Women & Performance 2 (1984): 5-20.

Kanthak, John F. "Feminisms in Motion: Pushing the 'Wild Zone' Thesis into the Fourth Dimension." Literature Interpretation Theory (LIT). 14.2 (2003, Apr-June): 149-63.

Kattwinkel, Susan. "Absence as a Site for Debate: Modern Feminism and Victorianism in the Plays of Susan Glaspell." New England Theatre Journal (NETJ). 7 (1996): 37-55.

Keetley, Dawn. "Rethinking Literature's Lessons for the Law: Susan Glaspell's 'A Jury of Her Peers'." REAL: The Yearbook of Research in English and American Literature (REAL). 18 (2002): 335-55.

Keyssar, Helene. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. New York: Grove Press, Inc., 1985.

Kolb, Deborah S. "The Rise and Fall of the New Woman in American Drama." Educational Theatre Journal 27.2 (1975): 149-60.

Kolin, Philip C. "Therapists in Susan Glaspell's Suppressed Desires and David Rabe's In the Boom Boom Room." Notes on Contemporary Literature 18.5 (November 1988): 2-3.

Kolodny, Annette. "A Map for Rereading: Or, Gender and the Interpretation of Literary Texts." New Literary History 11.3 (Spring 1980): 451-67; revised version reprinted in The New Feminist Criticism: Essays on Women, Literature and Theory. Edited by Elaine Showalter. New York: Pantheon Books, 1985. 46-62.

Koprince, Susan. "The Narrow House: Glaspell's Trifles and Wharton's Ethan Frome." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 63-78.

Kress, Nancy. "The End is Near!" Writer’s Digest 75.3 (March 1995): 8+.

Larabee, Ann E. "'Meeting the Outside Face to Face': Susan Glaspell, Djuna Barnes, and O’Neill’s The Emperor Jones." In Modern American Drama: The Female Canon. Edited by June Schlueter. Rutherford: Fairleigh Dickinson University Press, 1990. 77-85.

Larabee, Ann. "Death in Delphi: Susan Glaspell and the Companionate Marriage." Mid-American Review 7.2 (1987): 93-106.

Lashgari, Deidre, ed.  Violence, Silence, and Anger:  Women’s Writing as Transgression. Charlottesville: University Press of Virginia, 1995.

Laughlin, Karen. "Conflict of Interest: The Ideology of Authorship in Alison's House." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 219-35.

Leiter, Samuel L., ed. The Encyclopedia of The New York Stage, 1930-1940. Westport: Greenwood Press, 1989.

Leiter, Samuel L., ed; Holly Hill, assoc. ed. The Encyclopedia of the New York Stage, 1920-1930. Two volumes. Westport: Greenwood Press, 1985.

Lindroth, Colette. "America Unmasked: Cultural Commentary in Susan Glaspell's Short Fiction." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 257-276.

Lindroth, Colette. "Lifting the Masks of Male-Female Discourse: The Rhetorical Strategies of Susan Glaspell." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 303-15.

Lozynsky, Artem. "The Case of the Missing Canary: A New Look at Glaspell's Trifles." Feminist Studies in English Literature (FSEL). 7.2 (2000): 141-58.

Mael, Phyllis. "Trifles: The Path to Sisterhood." Literature/Film Quarterly 17.4 (1989): 281-84.

Makowsky, Veronica. "Forging a Woman's Identity in Susan Glaspell's Fiction." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 317-30.

Makowsky, Veronica. Susan Glaspell's Century of American Women: A Critical Interpretation of Her Work. New York: Oxford UP, 1993.

Makowsky, Veronica. "Susan Glaspell and Modernism." In The Cambridge Companion to American Women Playwrights. Ed. Brenda Murphy. Cambridge, England: Cambridge UP, 1999. 49-65.

Malpede, Karen. " Reflections on The Verge." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 123-27.

Malpede, Karen, ed. "Susan Glaspell." In Women In Theatre: Compassion and Hope. New York: Drama Book Publishers, 1983. 146-54.

Marsh, Margaret S. Anarchist Women, 1870-1920. Philadelphia: Temple University Press, 1981.

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