Trait
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4
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3
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2
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1
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Ownership of Ideas/Personal
Investment
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Demonstrates a clear sense of
ownership of student’s own text and ideas, as well as strong personal
investment in learning about the topic through effective engagement with
texts and a strong sense of inquiry.
Ownership is indicated via voice and creativity where student
uses a voice that feels authentically his or her own, and uses a style
that is clear and even powerful at times. Presents the topic in a fresh,
sophisticated, even clever, way.
Asserts his or her ideas in clear, forceful, prose.
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Demonstrates a modest sense of
ownership of student’s own text and ideas, as well as some personal
investment in learning about the topic through effective engagement with
texts and a strong sense of inquiry.
Ownership is indicated via voice and creativity where student has
a voice that seems fairly natural, and uses a style that is clear.
Presents the topic in a somewhat interesting, and unique, manner.
Shows ability to assert his or
her own ideas with clear, if not forceful, prose.
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Demonstrates minimal sense of
ownership of his or her own text and ideas, as well as little personal
investment in the learning process about the topic through effective
engagement with texts and little sense of inquiry.
Ownership is indicated via voice and creativity where
student has a voice that may sometimes seem strained or flaccid,
and uses a style that is sometimes verbose or overly simplistic.
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Demonstrates no sense of ownership of student’s own text and ideas,
and no personal investment in learning more about the topic.
Ownership is indicated via voice and creativity where the student
presents well-rehearsed discussion of the topic using little, if any, of
student’s own thinking.
Student does not demonstrate a use of his or her own voice as it feels
unnatural at times. May quote texts but does not engage with them or
demonstrate a sense of inquiry.
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Critical Analysis of Text
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Writer not only comprehends the
author’s ideas and argument but interprets and expands them in light of
her own thinking. This includes (as appropriate for the assignment),
careful textual analysis based upon awareness of historical and cultural
context, the relationship of structure to meaning, genre expectations in
fiction and nonfiction, and rhetorical strategies. Writer is able form
connections between different parts of a text to demonstrate a good
understanding of the whole text. Engages with, questions, and challenges
the author’s ideas and argument to assert her own claims.
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Writer somewhat comprehends the
author’s ideas and argument but interprets and expands it in a limited
fashion. This includes (as appropriate for the assignment), some
textual analysis based upon awareness of historical and cultural
context, the relationship of structure to meaning, genre expectations in
fiction and nonfiction, and rhetorical strategies. Writer forms some
connection between different parts of the text and demonstrates a
general understanding of the whole text. Writer somewhat engages
with the author’s ideas/argument, but there is not much questioning or
challenging of the author’s claims.
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Writer has a limited
comprehension of the author’s ideas and argument and gives little
personal interpretation. This includes (as appropriate for the
assignment), limited textual analysis based upon awareness of historical
and cultural context, the relationship of structure to meaning, genre
expectations in fiction and nonfiction, and rhetorical strategies.
Writer makes few connections among parts of the text and demonstrates
minimal understanding of the whole text. Writer has limited
engagement with the author’s ideas/argument, rarely questions or
challenges the author’s claims, and mostly summarizes the text's general
argument.
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Writer has a almost no comprehension of the author’s ideas and
argument and has little personal interpretation. This includes (as
appropriate for the assignment), no real textual analysis based upon
awareness of historical and cultural context, the relationship of
structure to meaning, genre expectations in fiction and nonfiction, and
rhetorical strategies. Writer make no clear connections among parts of
the text and demonstrates little understanding of the whole text.
Writer show very little engagement with the author’s ideas/argument,
rarely questions or challenges the author’s claims, and only
inadequately summarizes the text's general argument.
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Coherent Extended Argument
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This paper consistently develops
a complex set of assertions that support a specific idea, moving from an
engaging question or problem to its resolution. The argument
demonstrates complex critical thinking, is structured in a way that
provides clear organization, and utilizes transitions seamlessly. Writer
demonstrates awareness of various potential audience's positions within
the argument while navigating through purposefully chosen
and well-analyzed textual evidence.
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This paper develops assertions
that may be properly focused and resolved yet are moderate with regard
to complexity OR, develops assertions that are complex yet not entirely
supported or focused in limited areas. The argument demonstrates a clear
knowledge of structure and organization and ultimately moves the paper
to some point of resolution, but perhaps limited sections are not
entirely well executed. The writer demonstrates adequate ability for
critical thinking. The paper uses adequate transitions. The writer
demonstrates audience awareness for most, if not all, of the paper.
Writer moves toward, but does not complete, navigation of well-analyzed
and purposefully chosen textual evidence.
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This paper may have a clear
focus and a few complex assertions at points but as the paper unfolds
this focus is either abandoned or becomes confusing OR, the paper may
start with no real focus and eventually hit on an argument that (whether
complex or not) is never developed throughout. The structure may work at
points but overall, this paper’s organization is problematic, largely
because the argument (or thesis) itself is not entirely focused. Writer
demonstrates little or almost no critical thinking within the argument.
Audience becomes lost or shifted, and conclusion may reflect lack of
movement in the course of the argument. This paper may be inconsistent
with transitions, bring in apparently unrelated material or not enough
material and overall, remains too simplistic with regard to supporting
textual analysis.
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This paper lacks any real focus and makes no overall claim, struggling
to navigate through assertions. It barely develops points throughout and
examines no question in any sustained depth. The paper may move from one
point to the next in a type of free-write pattern reaching no ultimate
resolution OR it may handle a simplistic topic in a repetitive fashion
and similarly come to no ultimate resolution. This author appears to
have no real grasp on structure and organization, largely because there
is no argument to build upon. Paper exhibits an absence of critical
thinking. Transitions may exist at points on a local level but are not
consistent and do not serve any larger structural motive. This paper may
confuse the reader by leaving out textual support or by bringing in
apparently unrelated material and awareness of audience may be
insufficient.
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Integration of Outside Sources
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Represents the supporting texts
faithfully and concisely.
Does not misrepresent or misinterpret the text. Uses the texts as a way
to further develop her own argument, instead of reiterating the author’s
ideas. and is able to do this while still keeping their own argument
central. Quote incorporation
is smooth, effective, and is always analyzed and elaborated upon. All
sources are correctly cited in the text as well as works cited page.
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Represents texts faithfully if
not concisely. Does not
misrepresent or misinterpret the text.
Clearly tries to further develop her own argument, without
reiterating the author’s ideas.
Is able to do this, while keeping her own argument or voice
somewhat central. Quote
incorporation is smooth and effective but may not be elaborated upon.
Sources are generally cited correctly in the text as well as
works cited page.
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Represents texts in ways that
seem unclear or vague. May
misrepresent or misinterpret the text.
May not demonstrate the ability to choose sources to with clear
purpose. Does not
necessarily use the text as evidence to further support her own
argument. Uses quotes
too sporadically or drops source material into the essay so as to make
the argument difficult to follow.
Sources are cited incorrectly in the text as well as the works
cited page.
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Misrepresents and misinterprets texts.
Uses sources in ways that seem fairly arbitrary or unclear.
Texts do not further her own argument and are of no value to the
essay. Uses at most one
quotation, and drops source material with no further elaboration or
analysis. There is no
attention to the reader’s needs.
Sources are cited incorrectly in the text as well as the works
cited page.
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Follow MLA style.
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Formats the document as a whole
and sources in particular (both within text and in the works cited page)
with virtually no errors.
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Formats the document as a whole
and sources in particular (both within text and in the works cited page)
with some errors but not enough to distract.
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Formats the document as a whole
and sources in particular (both within text and in the works cited page)
with many errors, though the student demonstrate clear awareness of the
need to follow MLA style.
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Shows little awareness of MLA style either in formatting the document
or citing sources.
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Following (academic) genre
conventions
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Uses appropriately formal
language, and a clear and powerful style, and makes choices based on an
understanding of the genre; makes almost no errors in usage, mechanics,
or syntax.
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Uses generally formal language,
a fairly natural voice, and a clear and concise style; makes some errors
in usage, mechanics, or syntax but not enough to distract.
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Uses a mixture of formal and
conversational language, a weak voice, and a verbose or simplistic
style; makes distracting errors in usage, mechanics, or syntax.
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Uses inappropriate language and an unnatural voice, and has no clear
style; the usage, mechanics, or syntax interfere with comprehension of
the text.
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